Guardian Angel by Rolf Jacobsen

I am the bird that flutters against your window in the morning,
and your closest friend, whom you can never know,
blossoms that light up for the blind.

I am the glacier shining over the woods, so pale,
and heavy voices from the cathedral tower.
The thought that suddenly hits you in the middle of the day
and makes you feel so fantastically happy.

I am the one you have loved for many years.
I walk beside you all day and look intently at you
and put my mouth against your heart
though you’re not aware of it.

I am your third arm, and your second
shadow, the white one,
whom you cannot accept,
and who can never forget you.

translated  by Robert Bly

On Writing a harris & company

I posted an older story, a harris & company, because I wanted to write about how I work as a writer and this one was important because it was one of the ones that lead to the discovery of my voice.
First, I was in graduate school, an MFA Program at Bowling Green University in Ohio (which, by the way, is one state I prefer to fly over rather than drive through, but the program was helpful in that it gave me plenty of time to write since the teaching assistantship was not demanding, there were few other distractions apart from playing pinball with my esteemed colleagues like Jimmy Powell, Gordon Anderson (both of whom would later be my partners in the first year of the bookstore Intellectuals & Liars in LA), Joel Dailey, Randy Signor (both of whom would end up working at the store, though Randy’s contribution excelled all the others), and others too numerous to name. There was always breakfast afterwards at 2:30-3:00 in the morning when the bars closed and the pinball machines lay dormant. But I’m off topic here, as usual.
So, I was visiting my friend Rip Crystal (older brother to Billy) in LA where he was sharing an apartment with Joel Gotler who was, if I remember correctly, still an agent at William Morris before he struck out on his own (that’s Joel, not Rip, who was writing/acting there). Anyway, Joel decided I needed help coming up with stories so he gave me one: the trip his friend A. (Arnie) Harris took to Mexico to buy drugs, I think, though I might be wrong here (you see what an impression that original story had on me). Anyway I was polite and listened but what struck me most about the whole experience that visit was the fact that Joel was involved with some woman who would call him up at all hours of the day and night and say “Come” and he would drop everything and go. This image of him rushing off stayed with me long after the trip was over.
Now the trip was just before I started the MFA Program so things were fermenting in my head.
Oh yeah, there’s another little piece of the story I should add: Al Secunda. He was a former agent at William Morris, too (I knew these people through Rip who had worked there, also, as an agent before he decided to let his artistic side flow and quit). Well Al decided to be an actor and left the agency to pursue that career. But the thing about Al was that he had all these part-time jobs to support himself while trying to make it as an actor, including handing out take-ones for WTFM and working at Gimbels around the same time I worked there but in different departments (I was in vacuums and he was, I think, in Mens’ Wear). He’s the one who watered the fake plants and caused a flood on the 2nd floor of the store.
Anyway, there I was at BG sitting in my office in the basement of Hanna Hall ignoring my office mate who was reciting Gregory Corso’s poem on marriage when the germ of the story started to work its way from my head to paper on my typewriter (this was ages before PCs). What came out was the story posted.
So even though a harris started out as Joel’s friend’s story, only the name remained, along, of course, with bits and pieces of Joel and Al. Characters we create in turn create themselves. We give them a back story, facts and personality traits, throw them into a situation where they must interact with other characters we have also created in much the same way, and they take on a life of their own.
And that’s the joy of it: allowing for discoveries. Sometimes it works and sometimes it doesn’t. But that’s more or less the way life works, too, right?

The Carpet by Olav H. Hauge

Weave a carpet for us, Bodil,
weave it from dreams and visions,
weave it out of wind,
so that I, like a Bedouin, can
roll it out when I pray,
pull it around me
when I sleep,
and then every morning cry out,
“Table, set yourself!”
Weave it
for a cape in the cold weather,
and a sail
for my boat!
One day I will sit down on the carpet
and sail away on it
to another world.

translated by Robert Bly

A Walk by Rainer Maria Rilke

My eyes already touch the sunny hill,
going far ahead of the road I have begun.
So we are grasped by what we cannot grasp;
it has its inner light, even from a distance–

and changes us, even if we do not reach it,
into something else, which, hardly sensing it, we already are;
a gesture waves us on, answering our own wave. . .
but what we feel is the wind in our faces.

On Conversations In My Head

When I was a kid, back in the days of the Punic Wars, my favorite cousin was my cousin Joe who lived a half a block away. We were actually the only Italian families living in that town on Long Island, both of our families having moved out of Brooklyn for cleaner air, I suppose, and more space, though it was a constant source of friction between my mother and father (he did not want to leave Brooklyn since it was just a short subway ride to work for him at The Downtown Athletic Club in Battery Park but my mother, who always got her way, moved out when he was away in the army without consulting him), but anyway I’m getting off topic here.
My cousin Joe had this habit of talking to himself. You could see him walking down the street mumbling about something, most likely baseball, which was his passion, or else singing, which was his talent. My mother and aunts would shake their heads and say that anyone who talked to themselves was either crazy or had money in the bank, and since even at an early age I knew that he was not someone with money in the bank, I thought it best not to let anyone know that I, too, talked to myself. So I was, for part of my youth anyway, a closet “crazy” person.
Later, though, when I was studying acting, I would lock myself in the downstairs bathroom late at night and practice lines since it was the only place I could have real privacy in a house with three younger brothers, a mother, an aunt, and my grandmother all living together. I would also, apart from memorizing the script, have these long conversations with myself. Soon I started talking to people I knew both out loud when alone or in my head when sitting on the subway, say, or doing laundry in some laundromat, or when stuck in traffic. It became a way for me to work out certain problems with my writing, and also to help come to decisions about choices in life.
Now I find I mostly talk to two people, who, of course, have no idea I have these lengthly conversations with them. Maybe I’m talking about some book I’m reading or film I saw recently (there aren’t very many people to talk about those topics here even though I run the English language program at an arts college) or am discussing some problem one of us is having (you know, giving advice to someone who really doesn’t want advice), or relating some story from the past (both distant & recent). But talking to myself.
I don’t know if my cousin Joe still talks to himself, and I certainly would prefer it if those two people I have conversations with in my head would actually sit down over a cup of coffee or tea or wine, and engage me in an actual dialogue, but at least this way I feel like I’m talking to someone else other than me.
A minor victory, of sorts, but having made it through the sixties in one piece (that’s the 1960s), I’ll take a victory any way I can get it.

It Is That Dream by Olav H. Hauge

It’s that dream we carry with us
That something wonderful will happen,
That it has to happen,
That time will open,
That the heart will open,
That doors will open,
That the mountains will open,
That wells will leap up,
That the dream will open,
That one morning we’ll slip in
To a harbor that we’ve never known.

translated by Robert Bly

Night Thoughts Aboard A Boat by Tu Fu

A bank of fine grass and light breeze
A tall-masted solitary night boat.
Stars descend over the vast wild plain;
The moon bobs in the Great River’s flow.
Fame: is it ever to be won in literature?
Office: I should give up, old and sick.
Floating, floating, what am I like?
Between earth and sky, a gull alone.

translated by James J.Y. Liu & Irving Y. Lo

Tune: Joy at Meeting by Li Yu

Silent, I climb the Western Tower alone

And see the hook-like moon.

Parasol-trees lonesome and drear

Lock in the courtyard autumn clear.

 

           Cut, it won’t sever;

           Be ruled, ’twill never

           What sorrow ’tis to part!

It’s an unspeakable taste in the heart.