Evidently the only way to find the path is to set fire to my own life.
translated by Robert Bly
Evidently the only way to find the path is to set fire to my own life.
translated by Robert Bly
I praise those ancient Chinamen
Who left me a few words,
Usually a pointless joke or a silly question
A line of poetry drunkenly scrawled on the margin
of a quick splashed picture–bug, leaf,
cariacature of Teacher–
on paper held together now by little more than ink
& their own strength brushed momentarily over it.
Their world and several others since
Gone to hell in a handbasket, they knew it–
Cheered as it whizzed by–
& conked out among the busted spring rain cherryblossom winejars
Happy to have saved us all.
Note: spelling is Whalen’s own
. . .My teacher taught me this.
Approve me or disapprove me: I praise the Mountain Energy night and day.
I take the path that ecstatic human beings have taken for centuries.
I don’t steal money, I don’t hit anyone. What will you charge me with?
I have felt the swaying of the elephant’s shoulders; and now
you want me to climb on a jackass? Try to be serious.
translated by Robert Bly
The soul, like the moon,
is new, and always new again.
And I have seen the ocean
continuously creating.
Since I scoured my mind
and my body, I, too, Lalla,
am new, each moment new.
My teacher told me one thing,
Live in the soul.
When that was so,
I began to go naked,
and dance.
translated by Coleman Barks
The mind is an ocean. . .and so many worlds
Are rolling there, mysterious, dimly seen!
And our bodies? Our body is a cup, floating
On the ocean; soon it will fill, and sink. . .
Not even one bubble will show where it went down.
The spirit is so near that you can’t see it!
But reach for it. . .Don’t be a jar
Full of water, whose rim is always dry.
Don’t be the rider who gallops all night
And never sees the horse that is beneath him.
translated by Robert Bly
it’s like walking underwater
one is tired
even before one begins
but there is this image
just out of reach
that sustains me
and though for every two
I lose one
I keep moving
like a lens
that keeps focusing
I am drawn forward
your face before me
the light in your eyes
a promise unspoken
hope realized
I go out of the darkness
Onto a road of darkness
Lit only by the far off
Moon on the edge of the mountains.
Kuraki yori
Kuraki michi ni zo
Itinu beki
Haruka ni terase
Yama no hi no tsuki
translated by Kenneth Rexroth
I should not have waited.
It would have been better
To have slept and dreamed,
Than to have watched night pass,
And this slow moon sink.
translated by Kenneth Rexroth
here or there
that is the question
whether it be smarter
in the long run
to pare down
or grab the whirlwind
with both hands
and ride, ride
the cat stares in my face
wondering once again
where his bowls
will be
and the past hovers
over my shoulder
specters whispering
in my ear
a month of decisions
that will determine
the course my life
will take
as I begin to break camp
saddle up
and gaze with eyes
that embrace
the faraway look
that claims me
The cold hue newly clears, a belt of haze;
The mysterious sound gurgles afar, the ten-stringed lute.
Endlessly to my pillow they come, to draw thoughts of love,
Not letting this pensive soul half the night to sleep.
translated by Eric W. Johnson
Sarah Torribio and her right brain. Music. Musings. Writing. Style.
Fine Arts
Life, love and destiny.
4TheRecord is dedicated primarily to Ausmusic from all eras and most genres, we will explore the dynamics of the creative process, and reveal the great drama, lyricism, musicality, and emotion behind each classic song.
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