Back by Robert Creeley

Suppose it all turns into, again,
just the common, the expected
people, and places, the distance
only some change and possibly one

or two among them all, gone–
that word again–or simply more
alone than either had been
when you’d first met them. But you

also are not the same,
as if whatever you were were
the memory only, your hair, say,
a style otherwise, eyes now

with glasses, clothes even
a few years can make look
out of place, or where you
live now, the phone, all of it

changed. Do you simply give
them your address? Who?
What’s the face in the mirror then.
Who are you calling.

When You Speak to Me by Tess Gallagher

Take care when you speak to me.
I might listen, I might
draw near as the flame
breathing with the log, breathing
with the tree it has not
forgotten. I might
put my face
next to
your face
in your nameless trouble,
in your trouble
and name.

It is a thing I learned
without learning; a hand
is a stronger mouth, a kiss could
crack the skull, small steps
in the air calling
the secret hands, the mouths
hidden in the flesh.

This isn’t robbery.
This isn’t your blood for my
tears, no confidence
in trade or barter. I may
say nothing back
which is to hear
after you the fever
inside the words we say
apart, the words we say so hard
they fall apart.

Sonnet xxix by Edna St. Vincent Millay

Pity me not because the light of day
At close of day no longer walks the sky;
Pity me not for beauties passed away
From field and thicket as the year goes by;
Pity me not the waning of the moon,
Nor that the ebbing tide goes out to sea,
Nor that a man’s desire is hushed so soon,
And you no longer look with love on me.
This have I known always: Love is no more
Than the wide blossom which the wind assails,
Than the great tide that treads the shifting shore,
Strewing fresh wreckage gathered in the gales:
Pity me that the heart is slow to learn
What the swift mind beholds at every turn.

for all those I lost these last few years and especially for those killed violently whether here, there, everywhere: DIRGE WITHOUT MUSIC by Edna St. Vincent Millay

I am not resigned to the shutting away of loving hearts in the hard ground.
So it is, and so it will be, for it has been, time out of mind:
Into the darkness they go, the wise and the lovely. Crowned
With lilies and with laurel they go; but I am not resigned.

Lovers and thinkers, into the earth with you.
Be one with the dull, the indiscriminate dust.
A fragment of what you felt, of what you knew,
A formula, a phrase remains,–but the best is lost.

The answers quick and keen, the honest look, the laughter, the love,–
They are gone. They are gone to feed the roses. Elegant and curied
Is the blossom. Fragrant is the blossom. I know. But I do not approve.
More precious was the light in your eyes than all the roses in the world.

Down, down, down into the darkness of the grave
Gently they go, the beautiful, the tender, the kind;
Quietly they go, the intelligent, the witty, the brave.
I know. But I do not approve. And I am not resigned.