I have eaten
the plums
that were in
the icebox
and which
you were probably
saving
for breakfast
Forgive me
they were delicious
so sweet
and so cold
I have eaten
the plums
that were in
the icebox
and which
you were probably
saving
for breakfast
Forgive me
they were delicious
so sweet
and so cold
who knows if the moon’s
a balloon,coming out of a keen city
in the sky–filled with pretty people?
(and if you and i should
get into it,if they
should take me and take you into their balloon,
why then
we’d go up higher with all the pretty people
than houses and steeples and clouds:
go sailing
away and away sailing into a keen
city which nobody’s ever visited,where
always’s
it’s
Spring)and everyone’s
in love and flowers pick themselves
here’s to opening and upward,to leaf and to sap
and to your(in my arms flowering so new)
self whose eyes smell of the sound of rain
and here’s to silent certainly mountains;and to
a disappearing poet of always,snow
and to morning;and to morning’s beautiful friend
twilight(and a first dream called ocean)and
let must or if be damned with whomever’s afraid
down with ought with because with every brain
which thinks it thinks,nor dares to feel(but up
with joy;and up with laughing and drunkenness)
here’s to one undiscoverable guess
of whose mad skill each world of blood is made
(whose fatal songs are moving in the moon
since feeling is first
who pays any attention
to the syntax of things
will never wholly kiss you;
wholly to be a fool
while Spring is in the world
my blood approves,
and kisses are a better fate
than wisdom
lady i swear by all flowers. Don’t cry
–the best gesture of my brain is less than
your eyelids’ flutter which says
we are for each other: then
laugh, leaning back in my arms
for life’s not a paragraph
And death i think is no parenthesis
What lips my lips have kissed, and where, and why,
I have forgotten, and what arms have lain
Under my head till morning; but the rain
Is full of ghosts tonight, that tap and sigh
Upon the glass and listen for reply,
And in my heart there stirs a quiet pain
For unremembered lads that not again
Will turn to me at midnight with a cry.
Thus in the winter stands the lonely tree,
Nor knows what birds have vanished one by one,
Yet knows its boughs more silent than before:
I cannot say what loves have come and gone;
I only know that summer sang in me
A little while, that in me sings no more.
The dog is asking me a question
and I have no answers.
He dashes through the countryside and asks me
wordlessly,
and his eyes
are two moist question marks, two wet
inquiring flames,
but I do not answer
because I haven’t got the answer.
I have nothing to say.
Dog and man: together we roam
the open countryside.
Leaves shine as
if someone
had kissed them
one by one,
orange trees
rise up from the earth
raising
minute planetariums
in trees that are as rounded
and green as the night,
while we roam together, dog and man
sniffing everything, jostling clover
in the countryside of Chile,
cradled by the bright fingers of September.
The dog makes stops,
chases bees,
leaps over restless water,
listens to far-off
barking,
pees on a rock,
and presents me the tip of his snout
as if it were a gift:
it is the freshness of his love,
his message of love.
And he asks me
with both eyes:
why is it daytime? why does night always fall?
why does the spring bring
nothing
in its basket
for wandering dogs
but useless flowers,
flowers and more flowers?
This is how the dog
asks questions
and I do not reply.
There was something wrong
with the animals:
their tails were too long, and they had
unfortunate heads.
Then they started coming together,
little by little
fitting together to make a landscape,
developing birthmarks, grace, pep.
But the cat,
only the cat
turned out finished,
and proud:
born in a state of total completion,
it sticks to itself and knows exactly what it wants.
Men would like to be fish or fowl,
snakes would rather have wings,
and dogs are would-be lions.
Engineers want to be poets,
flies emulate swallows,
and poets try hard to act like flies.
But the cat
wants nothing more than to be a cat,
and every cat is pure cat
from its whiskers to its tail,
from sixth sense to squirming rat,
from nighttime to its golden eyes.
Nothing hangs together
quite like a cat:
neither flowers nor the moon
have
such consistency.
It’s a thing by itself,
like the sun or a topaz,
and the elastic curve of its back,
which is both subtle and confident,
is like the curve of a sailing ship’s prow.
The cat’s yellow eyes
are the only
slot
for depositing the coins of night.
To live is to build a ship and a harbor
at the same time. And to complete the harbor
long after the ship has sunk.
translated by Yehuda Amichai & Ted Hughes
Oh, when I was in love with you,
Then I was clean and brave,
And miles around the wonder grew
How well did I behave.
And now the fancy passes by,
And nothing will remain,
And miles around they’ll say that I
Am quite myself again.
Others because you did not keep
That deep-sworn vow have been friends of mine;
Yet always when I look death in the face,
When I clamber to the heights of sleep,
Or when I grow excited with wine,
Suddenly I meet your face.
Being Present for the Moment
Website storys
Illustration, Concept Art & Comics/Manga
Singer, Songwriter and Author from Kyoto, Japan.
Singer, Songwriter and Author from Kyoto, Japan.
An online activist from Bosnia and Herzegovina, based in Sarajevo, standing on the right side of the history - for free Palestine.
A place where I post unscripted, unedited, soulless rants of a insomniac madman
Dennis Mantin is a Toronto-based writer, artist, and filmmaker.
Finding Inspiration
Off the wall, under the freeway, over the rainbow, nothin' but net.
Erm, what am I doing with my life?
Artist by choice, photographer by default, poet by accident.
At Least Trying Too
A Journey of Spiritual Significance
Life in islamic point of view
Through the view point of camera...
L'essenziale è invisibile e agli occhi e al cuore. Beccarlo è pura questione di culo
In Kate's World