When you walk into a minefield, no matter how careful you are, you’re going to lose a leg.
quotations
William James on voting
There is but one unconditional commandment, which is that we should seek incessantly, with fear and trembling, so to vote and to act as to bring about the very largest total universe of good which we can see.
a Turkish proverb
Before you love,
learn to run through the snow
leaving no footprints.
quote from Funny Girl by Nick Hornby
Years later, Tony would discover that writers never felt they belonged anywhere. That was one of the reasons they became writers.
from Funny Girl by Nick Hornby
Dennis hopped into the nearest available rabbit hole, which led down into a whole labyrinth of interconnected tunnels. These all brought him to rooms full of pain and humiliation: letters tucked inside books, chilly bedtimes, lies, tears and (towards the end) a long poem about loss that Edith had read out to him, naked, with no explanation for the poem or the nudity, while she wept. Time passed and all he did was smile at Barry blankly. This sort of thing had been happening to him since Edith had gone. Entire minutes could go by, in shops and pubs and work meetings, in which he seemed to lose track of himself. When he came back again, he frequently found that people had given up on him. Conversations had moved on, shopkeepers were serving somebody else. He was, he supposed, glad that his marriage was finally over, but he hadn’t managed to prepare himself for the shock of it, the sheer exhaustion.
another excerpt from Cat’s Cradle by Kurt Vonnegut
Little Newt stirred.
While still half-snoozing, he put his black, painty hands to his mouth and chin, leaving black smears there. He rubbed his eyes and made black smears around them, too.
“Hello,” he said to me, sleepily.
“Hello,” I said. “I like your painting.”
“You see what it is?”
“I suppose it means something different to everyone who sees it.”
“It’s a cat’s cradle.”
“Aha,” I said. “Very good. The scratches are strings. Right?”
“One of the oldest games there is, cat’s cradle. Even the Eskimos know it.”
“You don’t say.”
“For maybe a hundred thousand years or more, grownups have been waving tangles of string in their children’s faces.”
“Um.”
Newt remained curled in the chair. He held out his painty hands as though a cat’s cradle were strung between them. “No wonder kids grow up crazy. A cat’s cradle is nothing but a bunch of X’s between somebody’s hands, and little kids look and look and look at all those X’s.”
“And?”
“No damn cat, and no damn cradle.”
from Cat’s Cradle by Kurt Vonnegut
When we joined the mainstream of mankind in the company street, a woman behind us wished Dr. Breed a merry Christmas. Dr. Breed turned to peer benignly into the sea of pale pies, and identified the greeter as one Miss Francine Pelko. Miss Pelko was twenty, vacantly pretty, and healthy–a dull normal.
In honor of the dulcitude of Christmastime, Dr. Breed invited Miss Pelko to join us. He introduced her as the secretary of Nilsak Horvath. He then told me who Horvath was. “The famous surface chemist,” he said, “the one who’s doing such wonderful things with film.”
“What’s new in surface chemistry?” I asked Miss Pelko.
“God,” she said, “don’t ask me. I just type what he tells me to type.”And then she apologized for having said “God.”
“Oh, I think you understand more than you let on,” said Dr. Breed.
“Not me.” Miss Pelko wasn’t used to chatting with someone as important as Dr. Breed and she was embarrassed. Her gait was affected, becoming stiff and chickenlike. Her smile was glassy, and she was ransacking her mind for something to say, finding nothing in it but used Kleenex and costume jewelry.
“Well. . .” mumbled Dr. Breed expansively, “how do you like us, now that you’ve been with us–how long? Almost a year?”
“You scientists think too much,” blurted Miss Pelko. She laughed idiotically. Dr. Breed’s friendliness had blown every fuse in her nervous system. She was no longer responsible. “You all think too much.”
A winded, defeated-looking fat woman in filthy coveralls trudged beside us, hearing what Miss Pelko said. She turned to examine Dr. Breed , looking at him with helpless reproach. She hated people who thought too much. At that moment, she struck me as an appropriate representative for almost all mankind.
from The Dancer Upstairs by Nicholas Shakespeare
There is no point trying to understand why people fall in love. My contact with Yolanda had been so snatched, yet the impact had been intense. I was forty-three years old, but I had lived only for a few days. Once you wake up like that, you don’t drop back into sleep. Not easily. Since Monday, when I had bumped into Yolanda in the Bullrich Arcade, I had hardly slept. My heart had become a vast and uncomfortable thing. It reared out of my chest, throwing back my head so I could breathe only with difficulty. As I pressed my forehead to the dark Perspex strip, I could no longer hide from myself the reason for these feelings, this behavior.
In the next few hours that remained until I saw her again, this is what I argued: I was in the saddle of a passion which could lead nowhere. I sifted Yolanda’s character for faults, fumbled with them to that narrow bar of light. She was immature, unpredictable. She had chubby cheeks, an unquenchable appetite for cakes, ugly feet. I pictured her in revolting positions. I summoned her feet and stamped their deformed features on her face, over her eyes. There! Could I find her attractive now? I did. I did! I was in pain. I was miserable. I was ashamed. I was thrilled. The smallest detail rang with her name, from the outline of the jacaranda to the pattern of specks on the Perspex.
from the film Judgment at Nuremberg: Stanley Kramer, director, & Abby Mann, screenwriter
A country isn’t a rock. It’s not an extension of one’s self. It’s what it stands for. It’s what it stands for when standing for something is the most difficult.
From Anansi Boys by Neil Gaiman: the opening paragraphs from Chapter One
IT BEGINS, as most things begin, with a song.
In the beginning, after all, were the words, and they came with a tune. That was how the world was made, how the void was divided, how the lands and the stars and the dreams and the little gods and the animals, how all of them came into the world.
They were sung.
The great beasts were sung into existence, after the Singer had done with the planets and the hills and the trees and the oceans and the lesser beasts. The cliffs that bound existence were sung, and the hunting grounds, and the dark.
Songs remain. They last. The right song can turn an emperor into a laughingstock, can bring down dynasties. A song can last long after the events and the people in it are dust and dreams and gone. That’s the power of songs