My Tao: at the root, there’s no me. . .
yet I don’t despise worldly men.
And now I’ve been in the city. . .
so I know I really mean that.
translated by J.P. Seaton
My Tao: at the root, there’s no me. . .
yet I don’t despise worldly men.
And now I’ve been in the city. . .
so I know I really mean that.
translated by J.P. Seaton
Moon tonight, and everyone’s moon-gazing,
but I’m alone, and in love with this tower.
Threads of cloud are shattered in the stream:
trailing willow is the picture of late fall.
As it brightens, you can see a thousand peaks.
Far off, the veins of ridges flow.
Mountain passes. . .
will I ever climb again?
I stand alone,
and let the border sadness rise.
translated by J.P. Seaton
You’ll go ten thousand miles
beyond those ancient mountains. . .
Three gibbons’ cries,
a chasm full of moonlight. . .
How long’s this road been here?
How many travelers
have wet their sleeves beside it?
A broken wall divides the drooping shadows.
Rushing rapids sing a bitter song.
In the cold, when we have finally parted,
it will be all the more wounding to hear.
translated by J.P. Seaton
I’ve heard that even “men of feeling”
don’t treasure the feeling of parting.
Frosty sky drips a chill
on the cold city wall.
The long night spreads
like water overflowing.
There’s the sound of the watch-horn, too.
The zen man’s heart is empty, yes,
of all but these.
translated by J.P. Seaton
Sarah Torribio and her right brain. Music. Musings. Writing. Style.
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Life, love and destiny.
4TheRecord is dedicated primarily to Ausmusic from all eras and most genres, we will explore the dynamics of the creative process, and reveal the great drama, lyricism, musicality, and emotion behind each classic song.
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Moments de vie, fragments de textes et quelques notes...
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