Like the unchanging cliffs,
I would remain just as I am.
But I am living in this world
and cannot hold time back.
translated by Ian Hideo Levy
Like the unchanging cliffs,
I would remain just as I am.
But I am living in this world
and cannot hold time back.
translated by Ian Hideo Levy
Being Present for the Moment
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Illustration, Concept Art & Comics/Manga
Singer, Songwriter and Author from Kyoto, Japan.
Singer, Songwriter and Author from Kyoto, Japan.
An online activist from Bosnia and Herzegovina, based in Sarajevo, standing on the right side of the history - for free Palestine.
A place where I post unscripted, unedited, soulless rants of a insomniac madman
Dennis Mantin is a Toronto-based writer, artist, and filmmaker.
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Off the wall, under the freeway, over the rainbow, nothin' but net.
Erm, what am I doing with my life?
Artist by choice, photographer by default, poet by accident.
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L'essenziale è invisibile e agli occhi e al cuore. Beccarlo è pura questione di culo
In Kate's World
Reblogged this on Leonard Durso.
Reblogged this on By the Mighty Mumford and commented:
VERY THOUGHTFUL AND WELL-SAID!
Thank you for reblogging this Japanese poem, Jonathan.
YOU ARE WELCOME…WHAT ARE THE RULES AND FEATURES OF THIS PARTICULAR FORM? i AM FAMILIAR WITH HAIKU, HAIBUN AND TANKA POETRY. NOW, WHAT IS THIS? 🙂
This poem was taken from The Man’yoshü which translates to The Ten Thousand Leaves. It is an anthology of poetry written over a century and comprising of work of 400 poets of different styles and written for different occasions. The entire anthology has not been translated into English as far as I know. As for rules, there are many different styles of writing so there are no rules in the formal sense.Some are just thoughts scribbled on paper. Others are in the different forms of Japanese poetry. I think the best way to read them is to just accept them for the feelings they express.